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by Peter Barclay
Rumour has it that Byron is named after Lord Byron, poet
and libertine. Its lyric landscape, oceans of blue with golden
crescent-beach fringe and the Nightcap Range 'head in the clouds'
in the background, make the identification seem the more becoming.
A far greater 'syncronicity' is that the sixth Baron of Byron
was known as a lover of ocean swimming and exotic cultures.
His legendary cathartic dip, as the recently drowned Percy
Bysshe Shelley's corpse burst upon the pyre, would see him
comfortably round Julian Rocks and returned to shore in time
for the wake or a ritual warrior 'rebirthing' in the hills.
Byron would have loved Byron.
And who, after spending a warm summer's night in Byron, would
not have an inkling of what the romantic adventurer meant
when, in Don Juan, he wrote:
What men call gallantry, and gods adultery,
is much more common where the climate's sultry.
So, it's settled, Byron was named after the legendary Romantic
poet! Besides, if we take a closer look at the map of Byron,
things become 'curiouser and curiouser.' It would appear that
some rampaging retiring professor (or perhaps a ravaged student)
of English literature was given carte blanche with street
names. There's Manfred Street presumably named after Byron's
poem, a romantic manifesto if ever there was one - 'There
is an order/of mortals on the earth, who do become/Old in
their youth, and die ere middle age.' Byron died aged 36.
But I digress.
Then, there's Brooke and Browning Streets, Burns, Butler
and Carlyle, there's Cooper, Cowper, Dryden, Evans, Fletcher,
and Ben Jonson, and there's Keats, Kingsley, Shelley, then
Shirley, Tennyson and finally, another contemporary of Byron,
Wordsworth. And, just for good measure, a few Aussies as well.
The obligatory Paterson, of course, with Lawson, Gilmore and
Kendall.
A theory could usefully be advanced relating the 'throng
of flesh and blood' writers coming to Byron in recent years
to an unconscious desire to have their names entered into
the Byronic Canon (especially as such canons are being swept
aside in the hallowed halls of academe).
But what is a theory without exemplar? How can one disguise
an exercise in name-dropping? Who make up this "throng of
flesh and blood?" Given a desire not to exclude anyone, through
ignorance or oversight, from potential consideration for inclusion
in the Canon, your humble guide wishes to acknowledge that
the following is at best a patchwork map, an anecdotal list,
snapshots, largely confined to the post-Aquarian period and
focussing in on recent events, namely, the inaugural Byron
Bay Writers' Festival.Richard Neville has continued to visit
since the Aquarius Festival in the hills of Nimbin, behind
Byron. Michael Wilding wrote a de Quincey-like hallucinatory
novella, Pacific Highway, which could just as easily be sub-titled
Confessions of a Mushroom Eater, capturing the feel of the
place ten years after.
It is Byron where Paul Lang from Robert Drewe's The Bodysurfers
meets Faye who has never been 'in love' only 'in lust.' Drusilla
Modjeska is reputed to have completed the final draft of The
Orchard in the hills behind Byron. Linda Javins drops into
Byron from 'time to time.' Bob Ellis was born just across
the road in Lismore. Craig McGregor used to live here, Commentator,
Mungo MacCallum, playwright, Janis Balodis, and novelist,
Di Morrissey still do. Graham Freudenberg, the 'doyen' of
Australia's political speechwriters, will soon move here.
And Gillian Mears, Vogel winner and recipient of the Commonwealth
Book Prize (Pacific Region) is just down the road outside
Grafton. And, that's just scratching the surface!
In recent years a Writer's Centre has been set up. More 'flesh
and blood' writers visit now. What about the idea of a festival
to celebrate writing, especially Australian writing, and perhaps
influence the future choice of street names. Rob Drewe read
from The Drowner, before it was published, advocating optimism
about ourselves, then and now. Later, he said, "There's only
about three places in Australia outside the cities where you
could hold a writer's festival dealing with 'deep down things'
and Byron's one of them..." and then plunged into the surf,
Byron-style. It was July, the middle of winter. But, it was
a Byron winter! Helen Garner, after knocking us out with her
unblinking gaze and seering honesty, advised "Keep it simple!
Don't run simultaneous sessions! Think about the relationship
between the writer and the audience..." David Malouf, who
writes the most exquisite and sayable sentences in contemporary
English and loves the clumps of local hoop pine because images
of holidays as Byron, away from 12 Edmonstone Street when
he was a boy, come swimming back, lent his considerable and
consistent support.
One year and some logistics later, the inaugural Byron Festival
was born.
And it was fantastic! Fifty writers and, over three days
in late July, four thousand plus audience members met to celebrate
and reflect on writing. Bob Debus recommended that we work
on a new crop of literary scandals for the new millenium.
Humphrey McQueen argued for the future of Australia through
a reconciled understanding of its past. Rodney Hall spoke
about how 'one-sided' our stories about the past were and
was subsequently besieged by admirers. Peter Thompson read
from his new book for children. Matt Condon and Graham Freudenberg
held the bar up. Then, Dorothy Porter said 'who's your favourite
poet' and enthused 'work on what's hot for you.'
Books were launched - Clare Mendes Race Across Burning Soil,
Jim Williams' Letters From Byron, North Coast Poets: Volume
1 and Nettie Hilton's Whisper Who Dares. Films were previewed
- Thank God He met Lizzie - by Alexandra Long. Australia's
biggest selling children's writer, John Marsden, talked to
our kids. John Tranter, Malouf, Hall and Porter read their
poetry along with the poets of the north coast - it was like
the Vietnam War days. Malouf read from 12 Edmonstone Street,
Garner from True Stories, Drewe from The Drowner. Kate Grenville's
Workshop in Fiction was besieged.
The cross over between biography and fiction went under the
microscope with McQueen, Patti Miller and Kristen Williamson,
David Williamson talked with Peter Castaldi about writing
film. Lyn Tranter and Lynne Spender told us about how to get
published and after one of our best comic writers, Matt Condon,
waxed eloquent on the politics of the pool, then over a long
lunch Bob Ellis and Mungo MacCallum held forth on the peculiarities
and peccadillos of Politics and the Press Club. Afterwards,
Anita Heiss, Koori satirist, put them to the test - just whose
country is it anyway? There's a demand now to be included
in the Byron canon: Malouf Esplanade, Garner Grove, Marsden
Road, Drewe Street, Moorhouse Crescent, Porter Parade, Tranter
Close, Neville Lane, Wilding Circle, Hall Drive and Grenville
Place.
Oh, by the way, the Lord Byron connection is a furphy. It
was James Cook no less who, eighteen years before the birth
of the poet, on his maiden mapping voyage to the southern
oceans glanced the Cape naming this most easterly point of
the Australian mainland after his boss. Byron wasn't named
after the romantic at all, but one of his forebears, Admiral
Byron. But 'giving the lie,' isn't that intrinsic to life
as well as fiction?
Peter Barclay was Director of the Byron Bay Writers' Festival.
The second Byron Festival took place in late July, 1998.
Photo: Stuart Owen
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